Data Module 061 — Mathematical Intelligence

The Geometry
of Zellige

Every zellige panel is a solved equation. The artisan works with compass and straightedge — the same tools Euclid used — to construct patterns governed by 17 possible symmetry groups. Mathematics made visible. Infinity made from clay.

17Wallpaper groups
5Star families
Tessellations possible
6Steps, compass & straightedge

001 — Five Star Families

The Stars

Every star is born from the circle. The number of points determines the fold symmetry, the surrounding fill shapes, and the wallpaper group of the final pattern.

6points

Six-Pointed Star

نجمة سداسية

6-fold symmetry

Bou Inania Madrasa (Fes), Saadian Tombs (Marrakech)

Two overlapping equilateral triangles inscribed in a circle

The simplest star in zellige. Formed by overlapping two equilateral triangles — the same geometry as the Star of David, but predating that association in Islamic art. Based on the hexagonal grid, which is one of three regular tessellations. Each star generates six surrounding hexagons. Common in early Moroccan tilework.

8points

Eight-Pointed Star

نجمة ثمانية

4-fold symmetry

Everywhere. Hassan II Mosque, Alhambra, Ben Youssef Madrasa

Two squares, one rotated 45° relative to the other, inscribed in a circle

Two interlocking squares create the octagram — the khatam or "seal." Produces 4-fold rotational symmetry. The gaps between stars form crosses and smaller squares. The 8-pointed star is the single most common motif in Moroccan zellige, found on virtually every significant building.

10points

Ten-Pointed Star

نجمة عشرية

5-fold symmetry

Darj wa ktaf motifs, advanced Marinid compositions

Two regular pentagons, one rotated 36° relative to the other, inscribed in a circle

Introduces 5-fold symmetry — which cannot tile the plane periodically. This is the gateway to quasi-periodic patterns. In 2007, physicists discovered that 15th-century Iranian girih tiles formed Penrose-like non-repeating patterns with 5-fold rotational symmetry — 500 years before Roger Penrose described them in 1973. Ten-pointed stars are less common in Moroccan zellige than in Persian tilework.

12points

Twelve-Pointed Star

نجمة اثنا عشرية

6-fold symmetry

Al-Attarine Madrasa (Fes), Bahia Palace (Marrakech)

Three squares at 30° intervals, or four equilateral triangles at 30° intervals

The most complex star in Moroccan zellige. Based on the 12-fold division of the circle — the same geometry governing clock faces and the zodiac. Produces intricate surrounding polygons: hexagons, squares, and triangles interlock in patterns of remarkable density. The key generative motif for some of the most elaborate Marinid-era compositions.

16points

Sixteen-Pointed Star

نجمة ستة عشرية

4-fold symmetry

Saadian Tombs (Marrakech), select royal commissions

Four squares at 22.5° intervals inscribed in a circle

The apex of complexity in zellige. 16-point stars emerged in the 16th century, at the height of Saadian power. The surrounding fill shapes become so small and numerous that a single panel can contain hundreds of hand-cut pieces. These are the showpieces — commissioned by sultans, executed over months. Extremely rare.

The circle symbolizes unity. Division creates diversity. Tessellation restores unity at a higher order.

002 — Compass & Straightedge

How a Pattern is Born

Six steps. Two tools. Every zellige pattern ever made follows this sequence.

1

The Circle

Everything begins with a circle drawn by compass. The circle represents unity — tawhid — the indivisibility of God. All subsequent geometry is derived from this single form.

2

The Division

The circle is divided into equal parts using compass and straightedge only. Division into 4 or 8 parts: place compass at cardinal points, draw arcs. Division into 6: compass radius equals the circle's radius — six arcs around the circumference. Division into 5 (pentagon) requires the golden ratio.

3

The Grid

Connecting the division points creates a polygon grid — the underlying skeleton. For 4-fold: square grid. For 6-fold: hexagonal/triangular grid. This grid is invisible in the final work but determines everything.

4

The Star

Stars are formed by extending lines from grid intersections at consistent angles. The angle of intersection determines the "tightness" of the star. Wider angles create fatter, more rounded stars. Narrow angles create sharper, more pointed ones.

5

The Fill

The spaces between stars become the secondary shapes: hexagons, pentagons, bowties, kite shapes, irregular polygons. In zellige, each of these shapes is a separate hand-cut tile. A master (maalem) must know every fill shape for a given star pattern.

6

The Tessellation

The completed unit is repeated across the surface using the translational symmetry of the underlying lattice. In zellige, tiles are assembled face-down on the floor, then mortar is poured over the back. The artisan works blind — feeling the geometry.

003 — The Four Transformations

Symmetry

Every pattern in the plane is governed by exactly four types of symmetry operations. These are the only moves that preserve distance and shape.

Translation

Shifting the entire pattern in a direction without rotating or flipping it. The pattern repeats identically. Every zellige tessellation has translational symmetry — this is what makes it a tessellation.

Any repeating tile grid

Rotation

Turning the pattern around a fixed point by a specific angle. In zellige, only rotations of 60°, 90°, 120°, and 180° are possible — the crystallographic restriction. This is why you see 6-fold, 4-fold, 3-fold, and 2-fold symmetries, but never 5-fold or 7-fold in periodic tilings.

8-pointed star: 90° rotation

Reflection

Flipping the pattern across a mirror line. Many zellige patterns have multiple reflection axes — an 8-pointed star has 8 mirror lines. The interplay of reflection and rotation creates the visual richness.

Any star pattern has mirror lines through each point

Glide Reflection

A reflection combined with a translation along the mirror line. Subtler than pure reflection. Creates patterns that seem to "flow" in a direction while maintaining bilateral symmetry.

Interlacing ribbon motifs in the Alhambra

004 — The 17 Wallpaper Groups

Every Possible Symmetry

In 1891, Russian crystallographer Evgraf Fedorov proved there are exactly 17 distinct ways to tile a plane with repeating patterns. Not 16, not 18. Seventeen. Every zellige panel, every wallpaper, every honeycomb belongs to one of these groups.

The Alhambra in Granada contains at least 13 of the 17 — some researchers claim all 17. Moroccan zellige deploys at least 16.

NotationOrbifoldRotationDescriptionZellige
p1o1-foldTranslation only. No rotation, reflection, or glide reflection. The simplest possible pattern.
p222222-fold180° rotations only. No reflections. Four distinct rotation centers per unit cell.
pm**1-foldParallel mirror lines only. No rotations.
pgxx1-foldParallel glide reflections only. No rotations, no pure reflections.
cm*x1-foldMirror lines plus glide reflections between them. Centred cell.
pmm*22222-foldTwo perpendicular mirror lines with 180° rotations at intersections.
pmg22*2-foldMirror lines in one direction, glide reflections in the perpendicular, plus 180° rotations.
pgg22x2-foldTwo perpendicular glide reflections plus 180° rotations. No pure reflections.
cmm2*222-foldMirror lines in two directions with 180° rotation centers. Centred cell.
p44424-fold90° rotations. Square lattice. No reflections. The geometry behind the 8-pointed star.
p4m*4424-fold90° rotations with mirror lines. Common in Moroccan zellige.
p4g4*24-fold90° rotations with glide reflections but no mirrors through rotation centers.
p3m1*3333-fold120° rotations with mirror lines through all rotation centers.
p31m3*33-fold120° rotations with mirrors, but not all centers on mirror lines.
p66326-fold60° rotations. Hexagonal lattice. No reflections. The geometry of the 6-pointed star.
p6m*6326-fold60° rotations with mirror lines. Maximum symmetry. The geometry behind 12-pointed stars.

005 — The Palette

Color as Language

Blue

Sky and water. Derived from cobalt oxide. Symbolizes infinity and the divine.

Green

Paradise. The color of Islam. Derived from copper oxide. Found in mosques, madrasas, zawiyas.

White

Purity. The ground color. Made from tin oxide glaze over terracotta. The negative space that defines the pattern.

Black

Outline and definition. Manganese oxide. Used for borders and to separate color fields. The calligraphy of the tile.

Yellow

Sun and gold. Iron oxide or antimony. Common in Moroccan zellige, less so in eastern Islamic tilework. Warmth.

Brown

Earth. The natural terracotta showing through. Found in early Moroccan zellige (10th–12th century) before the full palette developed.

In 2007, physicists discovered that 15th-century Islamic artisans had created Penrose tilings — non-periodic patterns with five-fold symmetry — 500 years before Western mathematics described them.

Harvard & Princeton, published in Science (2007)

006 — Key Numbers

The Mathematics

10th C

Zellige origins in Morocco

White and brown tones, imitating Roman mosaics

1891

Fedorov proves 17 groups

Russian crystallographer classifies all possible planar symmetries

2007

Penrose tiling discovered in 15th C Islamic art

Harvard & Princeton physicists find quasi-crystals in girih tiles

p4m

Most common zellige group

90° rotations + mirror lines. The 8-pointed star symmetry.

0

Living figures depicted

Islamic art avoids figural representation. Geometry fills the void.

1

Tool: the compass

Every pattern can be constructed with compass and straightedge alone

Sources

Wikipedia — Zellij: origins 10th century, tessellation methods, Marinid/Saadian golden ages, M.C. Escher influence

Wikipedia — Islamic Geometric Patterns: 8-pointed star, compass construction, Roman Verostko on algorithmic art

Wikipedia — Wallpaper Group: 17 crystallographic groups, Fedorov 1891, Hermann-Mauguin notation, orbifold notation

Art of Islamic Pattern: compass-and-straightedge method, decagram construction, girih patterns, three-fold hierarchy

MIT PRIMES — Wallpaper Groups (Ganapathy): mathematical proofs, Alhambra examples, crystallographic restriction

ResearchGate — Islamic Patterns and Symmetry Groups: Alhambra analysis, Müller thesis (1944), 13 vs 17 debate

ResearchGate — Symmetry Groups in Moroccan and Turkish Ornamental Art (Aboufadil et al.): crystallographic analysis of zellige

Why Tile — Islamic Tile History: Penrose tilings in 15th C girih, Harvard/Princeton 2007 discovery, quasi-crystals

Wolfram MathWorld — Wallpaper Groups: Hermann-Mauguin symbols, orbifold notation, Coxeter references

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Sources: Architectural documentation